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By Gregory Crofton “Crumb” arrived in 1994, when I was 23 years old. A lot of cool and influential movies and music were released around then, but it was “Crumb” that stuck with me and steered me to a life…
By Kate Myers The endeavor of art as a collaborative process can often get lost in the enjoyment of the finished product, but if one follows the threads each artists leaves in a piece of work, so many fascinating new…
By Gregory Crofton Celia Maysles wanted to get to know her Dad. She opened the door of his beige Mercedes and sat behind the wheel. “I like this car,” she said with a smile. Later on the subway she wears…
By Kate Myers “Gods of Mexico” is a mesmerizing look at modern life lived primitively. The pace of the movie captures the stretched out time it takes to do hard work with basic tools. Far from being boring, the pace…
By Gregory Crofton A packed house at the Belcourt Theatre in Nashville lit up “Luther: Never Too Much” bringing emotion and joy to a screening on a recent Sunday evening of the new documentary directed by Dawn Porter. Audience members…
By Gregory Crofton Jon Day, best known for his music video work, spent five years making a documentary on Die Antwoord, the viciously good South African cheetahs of art rap. Roger Ballen, a photographer whose had a massive influence rap…
